Friday, March 5, 2010

Last Year at Marien-blog

Wow this movie was odd. I won't state examples, but I thought I had seen some strange movies before, but those seem like perfectly structured masterpieces compared to 'Last Year at Marienbad'.

I think a bit of Orpheus trailed into this week's viewing because in trying to make sense of this one, I attached the label of 'Death' to the character, X. The most striking detail that implied that he might be a Death-like entity was A's continued reluctance to accept what he was saying and truly seeming to not want to leave with him to wherever they were going. Her reaction seemed like something someone might say to Death if they had the chance to reason with him; "Can I have one more year, please?". What other than that could he be that she wants nothing to do with him, yet he pursues her again and again, with what seemed like her ultimately giving in at the end? But, like I said, I suppose it could have just been Orpheus sneaking into my thoughts towards this movie. But even beyond that, the whole hotel and it's clientele seemed to constantly be in a state of moving about aimlessly or even at a stand-still, like a waiting room for the afterlife (except you get to dress nicely, watch plays, and play games).

There was mention in class of the repeating of everything, conversations, actions, card games etc. It was almost like everyone was stuck in a cycle of some sort, and it's possible they all needed something to break them out of it. For example, perhaps X needed A to get out of his cycle? It's weird to think of life like that at all, so this may have been some mind game that was being played. The part about things repeating over and over reminded me of times when you fall asleep with the TV on and whatever's on TV starts working its way into your dreams. And then shortly after you wake up, and you get an odd feeling where reality has just gotten into your dreams and now you're awake and trying to process it. Just a thought that jumped out to me. Especially if you fall asleep to an informercial or something that cycles, or even on a similar level, when you're alarm goes off to wake you up and instead of waking up, you work that sound into your dream somehow, like a fire drill at an elementary school or something.

"I think therefore I am". Crazy idea for this movie which I feel like I could ponder for hours on end. After we started to discuss this idea, it just eliminated all of my other theories, and I started to think , was X really just trying to prove A's existence by getting her to acknowledge they met before and that she should leave with him? Would that solve something in his mind? Once you start to examine the movie from an existence standpoint, you have to wonder who even existed? Did any of these people exist? Did one person exist and everything else was in their heads? Maybe this was in the mind of an insane person. X might think he exists, but that didn't mean that anyone knew it. 'A' certainly resisted the idea early on. Maybe it was X's solipism took complete control over him. "I know you. You know me. I know you. You know me......". After a while, it would just become the truth. Trying to convince someone of that would be so damn frustrating.

Speaking of the character, M, he was an odd duck. I thought it was ironic that he wins every game he plays, especially that logarithm game, but in the end, he appears to lose his woman. Woops. Maybe he should have taken a break from kicking everyone's ass in pick-up-stix. But I didn't know what to make of him. Was it him shooting 'A' in that one seemingly fake scene? I didn't get that completely. Minus all of that weirdness, I couldn't put my finger on what he was all about. At first, I didn't think he was involved with 'A', and then it seemed like they had something going at one point; it was confusing.

I can say this, that motel/set/studio was amazing. They way that camera worked it's way through the hallways and rooms was dizzying. If having the audience lose their minds with an entree of camera manipulation, peppered with bizarre plot, and seasoned with cyclic dialogue/sound, then I would say the filmmaker's succeeded greatly with this delicious treat. I'll tell you what, I didn't enter the class overly tired, but I found my blinks getting longer and longer as the film progressed. Their weird dream-world almost brought me to my weird dream-world.

3 comments:

  1. What you said about repetition and falling asleep is so true! I think there's a really fine line between reality and dreams and Marienbad showed this. Like you said, it was hard to tell who existed and who didn't, and I guess if we're watching this through X's eyes we can't really know who existed at all!

    That makes me wonder though, is there a difference in the viewer when we're looking at A (X is doing the looking) as opposed to someone else? When the camera's on X or M alone, who's doing the looking? And is THAT person real?!

    It's like the Bermuda Triangle of love... I'm not sure any of them exist. Or maybe they all exist separately and don't know that the other two exist.

    And yeah, the hotel and mise en scene were mesmerizing. The camera in the beginning made my head spin, and I think they meant for it to be that way.

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  2. I loved the idea of Death. I had never even thought of that until I just read this. That is an amazing interpretation of this. Props to you for coming up with that one.
    I agree with you for the hotel being a wonderful setting for this movie. Without the hotel it wouldn't have been the same. WIth the hallways and the rooms and everything, it's the perfect place for someone to go crazy.
    Maybe x was the only person that did exist and this whole thing was in his mind. Something that we will never know I guess.

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  3. Hmmm. I'd accuse "Marienbad" of being a lot of things (really annoying, boring, solipsistic and arty), for example. But not badly-structured. The structure is perfect, in a geometric topiary denatured sort of way.

    But I think you're onto something with regard to the Death thing--not in the same literal/metaphoric way as in Orpheus, but there's definitely a certain deathliness to this movie, in that everything is so completely static, there is little if anything natural, and nothing ever changes.

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